Anna Takeda, violin
Ekachai Maskulrat, cello
Siwat Chuencharoen, piano
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Anna Takeda, violin
Ekachai Maskulrat, cello
Siwat Chuencharoen, piano
Any questions? Contact me on WhatsApp
Sunday, June 28th, 6pm
Bach Cello Suites
Transcribed for Viola
Tasana Nagavajara, viola
The six cello suites of Bach were first transcribed for viola by Samuel Lifschey (principal violist of the Philadelphia Orchestra), in the 1920's. Since then, they have become a major part of the solo viola repertoire. In this concert Tasana will play the first three suites. He will perform the last three suites of the set later in the year.
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Kudriakov refined his artistry through masterclasses with pianists such as Lang Lang, Denis Matsuev, and Mikhail Pletnev, building a repertoire that spans solo works, chamber music, and more than twenty concertos.
Andrei performed the complete Chopin Nocturnes at Eelswamp in January this year, establishing himself as a first rate pianist. Don't miss these performances.
*Stem separation is an AI technique that separates piano and orchestra recordings into two stems: piano and orchestra. We use the orchestra stem as background for the piano soloist. We did this in April with Andrey Gugnin playing Brahms First Piano Concerto. It was a smash hit. This time we will have improved stereo technology for a fuller orchestra sound.
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Sunday March 29th at 6pm
Воскресенье, 29 марта в 18:00
Andrey Gugnin, piano
Андрей Гугнин, фортепиано
12th-year anniversary visit to Eelswamp
One concert only
Только один концерт
Eunhee Baek is a Korean pianist. She came to Eelswamp last year to perform the Liszt Harmonies poétiques et religieuses and gave two brilliant performances.
Eunhee obtained her Konzertexamen at the Berlin University of the Arts in the class of Mi-Joo Lee. She continued her studies at the Mozarteum in Salzburg with Jacques Rouvier, and with Boris Petrushansky at the International Piano Academy Imola. She has won prizes in at least seven international competitions, including two devoted to Liszt. See the list at the top of this page.
Guillaume Durant is a French pianist. He studied in Lyon where he completed the Diplôme d’Études Musicales and graduated with distinction. He continued his studies at the Conservatoire National Supérieur de Musique de Paris, studying with Denis Pascal, Varduhi Yeritsyan, and chamber music under Claire Désert and Amy Flammer. He currently works at the Berlin University of Arts.
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Friday 16th January
and
Sunday 18th January, 6pm
The Complete Chopin Nocturnes
Andrei Kudriakov Андрей Кудряков
Grand Prix - International Kabalevsky Competition
1st Prize - Rachmaninoff International Piano Competition; Ivanovka
1st Prize Liszt International Pianist Competition (Italy)
Chopin, 21 Nocturnes
Two performances: Friday, January 16th and Sunday 18th, both at 6pm
1. Nocturne in B♭ minor, Op. 9 No. 1
2. Nocturne in E♭ major, Op. 9 No. 2
3. Nocturne in B major, Op. 9 No. 3
4. Nocturne in F major, Op. 15 No. 1
5. Nocturne in F♯ major, Op. 15 No. 2
6. Nocturne in G minor, Op. 15 No. 3
7. Nocturne in C♯ minor, Op. 27 No. 1
8. Nocturne in D♭ major, Op. 27 No. 2
9. Nocturne in B major, Op. 32 No. 1
10. Nocturne in A♭ major, Op. 32 No. 2
11. Nocturne in G minor, Op. 37 No. 1
12. Nocturne in G major, Op. 37 No. 2
13. Nocturne in C minor, Op. 48 No. 1
14. Nocturne in F♯ minor, Op. 48 No. 2
15. Nocturne in F minor, Op. 55 No. 1
16. Nocturne in E♭ major, Op. 55 No. 2
17. Nocturne in B major, Op. 62 No. 1
18. Nocturne in E major, Op. 62 No. 2
19. Nocturne in E minor, Op. 72 No. 1 (posth.)
20. Nocturne in C♯ minor, KK IVa/16 (posth.)
21. Nocturne in C minor, KK VIa/1 (posth., published 1938)
Andrei Kudriakov began formal training at age four at the “Rainbow” Music School No. 8 under Elena Mukhametova. His career quickly gained momentum with major competition victories, including the Grand Prix at the All-Russian Pianists Competition in Tolyatti (2000) and the International Kabalevsky Competition in Samara (2001). He went on to study at the Samara Music College under Larisa Parfenova and later at the Saratov State Conservatory with Professor Albert Tarakanov, graduating with honors and earning a Doctor of Musical Arts degree.
Alongside his studies, Kudriakov refined his artistry through masterclasses with pianists such as Lang Lang, Denis Matsuev, and Mikhail Pletnev, building a repertoire that spans solo works, chamber music, and more than twenty concertos.
Kudriakov has since established himself as an internationally active performer and educator, touring across Russia, Europe, and Asia, and appearing at prestigious events such as the centenary of the Saratov Conservatory and the “Three Centuries of Classical Romance” festival in St. Petersburg. His projects include the “Quatre Musicians” tour and commemorative concerts in China honoring Tchaikovsky.
In addition to piano recitals, concerto appearances, and chamber collaborations, he is recognized for his teaching excellence, earning awards for preparing students for international competitions. Since 2024, he has served as a permanent jury member of the Kabalevsky Competition in Samara and as its official ambassador in China, underscoring his dual role as a performer of distinction and a cultural bridge-builder in the global music community.
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December
Friday 12th, Saturday 13th and Sunday 14th
at 6pm
Beethoven Violin Sonata Marathon
Марафон сонат для скрипки Бетховена
only at Eelswamp
Beethoven Ten Violin Sonatas
performed by two brilliant musicians
Ilya Kondtratiev, piano
Илья Кондратьев
Friday, December 12th, 6pm
1. Violin Sonata No. 1 — D major, Op. 12 No. 1 (1798)
2. Violin Sonata No. 2 — A major, Op. 12 No. 2 (1798)
3. Violin Sonata No. 3 — E-flat major, Op. 12 No. 3 (1798)
4. Violin Sonata No. 4 — A minor, Op. 23 (1801)
The three Op. 12 sonatas (Nos. 1–3), published in 1798, are dedicated to Antonio Salieri and reflect classical clarity, with playful dialogues and balanced textures between violin and piano. Sonata No. 4 in A minor, Op. 23 (1801), breaks from this mold—its darker key, restless rhythms, and more dramatic contrasts signal Beethoven’s shift toward greater emotional depth and structural innovation.
Saturday, December 13th, 6pm
5. Violin Sonata No. 5 — F major, Op. 24 (Spring Sonata) (1801)
6. Violin Sonata No. 6 — A major, Op. 30 No. 1 (1802-3)
7. Violin Sonata No. 7 — C minor, Op. 30 No. 2 (1802-3)
Sonata No. 5 in F major, Op. 24—nicknamed the Spring Sonata—radiates warmth and melodic grace, with a pastoral freshness that made it instantly beloved. It is one of the favourites of the ten sonatas. In contrast, Nos. 6 and 7 (Op. 30 Nos. 1 and 2), composed in 1802 (published 1803), reflect deeper emotional currents: No. 6 in A major is elegant yet subtly restless, while No. 7 in C minor plunges into dramatic intensity, foreshadowing the Kreutzer Sonata, with its stormy outer movements.
Sunday, December 14th, 6pm
8. Violin Sonata No. 8 — G major, Op. 30 No. 3 (1803)
9. Violin Sonata No. 9 — A major, Op. 47 (Kreutzer Sonata) (1805)
10. Violin Sonata No. 10 — G major, Op. 96 (written 1812)
Sonata No. 8 in G major, Op. 30 No. 3, is light, witty, and rhythmically playful, offering a graceful contrast to the stormier No. 7. Sonata No. 9 in A major, Op. 47, the Kreutzer Sonata, is a monumental work of fiery virtuosity and dramatic intensity, pushing both violin and piano to symphonic extremes. Sonata No. 10 in G major, Op. 96, composed in 1812, retreats into introspective lyricism and subtle dialogue, reflecting Beethoven’s late style with its serene poise and organic development. Together, these sonatas span the emotional and technical spectrum of Beethoven’s chamber idiom.Russian-British pianist, Ilya Kondratiev is a graduate of Moscow Conservatory and the Royal College of Music London. He won prizes in the Weimar Liszt and the Budapest Liszt Competitions and was awarded the Beethoven Medal by the Beethoven Piano Society of Europe. Ilya is currently Piano Professor at the Royal College of Music, in London. Ilya is a frequent visitor to Eelswamp. He performed all ten Beethoven Violin Sonatas at Eelswamp a few years ago, demonstrating himself to be a master of the opus.
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